“She opened the parcel, looked at the earrings, and laughed.
“Yes, yes, I ought--but I couldn’t! She would have died--she would have killed herself. You don’t know her; and I should have told Aglaya everything afterwards--but I see, Evgenie Pavlovitch, you don’t know all. Tell me now, why am I not allowed to see Aglaya? I should have cleared it all up, you know. Neither of them kept to the real point, you see. I could never explain what I mean to you, but I think I could to Aglaya. Oh! my God, my God! You spoke just now of Aglaya’s face at the moment when she ran away. Oh, my God! I remember it! Come along, come along--quick!” He pulled at Evgenie’s coat-sleeve nervously and excitedly, and rose from his chair.
“You are innocent--and in your innocence lies all your perfection--oh, remember that! What is my passion to you?--you are mine now; I shall be near you all my life--I shall not live long!”
“Well, you’ll both hear and see him soon; he even tries to borrow money from me. _Avis au lecteur._ Good-bye; do you think a man can possibly live with a name like Ferdishenko?”
“In my opinion, you are far from a fool sometimes--in fact, you are very intelligent. You said a very clever thing just now about my being unjust because I had _only_ justice. I shall remember that, and think about it.”
Here Evgenie Pavlovitch quite let himself go, and gave the reins to his indignation.
| “As a matter of fact, I did not read it,” interrupted the boxer, “but its contents had been given me on unimpeachable authority, and I...” |
Evidently the quiet, pleasant current of the family life of the Epanchins was about to undergo a change.
The prince had told Evgenie Pavlovitch with perfect sincerity that he loved Nastasia Philipovna with all his soul. In his love for her there was the sort of tenderness one feels for a sick, unhappy child which cannot be left alone. He never spoke of his feelings for Nastasia to anyone, not even to herself. When they were together they never discussed their “feelings,” and there was nothing in their cheerful, animated conversation which an outsider could not have heard. Daria Alexeyevna, with whom Nastasia was staying, told afterwards how she had been filled with joy and delight only to look at them, all this time.
“It will be well,” she said, “if you put an end to this affair yourself _at once_: but you must allow us to be your witnesses. They want to throw mud at you, prince, and you must be triumphantly vindicated. I give you joy beforehand!”
| “Oh, father’s curse be hanged--you don’t frighten me that way!” said Gania. “Whose fault is it that you have been as mad as a March hare all this week? It is just a week--you see, I count the days. Take care now; don’t provoke me too much, or I’ll tell all. Why did you go to the Epanchins’ yesterday--tell me that? And you call yourself an old man, too, with grey hair, and father of a family! H’m--nice sort of a father.” |
“Would Rogojin marry her, do you think?”
| These warnings about Rogojin were expressed on the day before the wedding. That evening the prince saw Nastasia Philipovna for the last time before they were to meet at the altar; but Nastasia was not in a position to give him any comfort or consolation. On the contrary, she only added to his mental perturbation as the evening went on. Up to this time she had invariably done her best to cheer him--she was afraid of his looking melancholy; she would try singing to him, and telling him every sort of funny story or reminiscence that she could recall. The prince nearly always pretended to be amused, whether he were so actually or no; but often enough he laughed sincerely, delighted by the brilliancy of her wit when she was carried away by her narrative, as she very often was. Nastasia would be wild with joy to see the impression she had made, and to hear his laugh of real amusement; and she would remain the whole evening in a state of pride and happiness. But this evening her melancholy and thoughtfulness grew with every hour. |
| “Well, meanwhile that sick boy was brought here, and those guests came in, and we had tea, and--well, we made merry--to my ruin! Hearing of your birthday afterwards, and excited with the circumstances of the evening, I ran upstairs and changed my plain clothes once more for my uniform [Civil Service clerks in Russia wear uniform.]--you must have noticed I had my uniform on all the evening? Well, I forgot the money in the pocket of my old coat--you know when God will ruin a man he first of all bereaves him of his senses--and it was only this morning at half-past seven that I woke up and grabbed at my coat pocket, first thing. The pocket was empty--the purse gone, and not a trace to be found!” |
“How strange that criminals seldom swoon at such a moment! On the contrary, the brain is especially active, and works incessantly--probably hard, hard, hard--like an engine at full pressure. I imagine that various thoughts must beat loud and fast through his head--all unfinished ones, and strange, funny thoughts, very likely!--like this, for instance: ‘That man is looking at me, and he has a wart on his forehead! and the executioner has burst one of his buttons, and the lowest one is all rusty!’ And meanwhile he notices and remembers everything. There is one point that cannot be forgotten, round which everything else dances and turns about; and because of this point he cannot faint, and this lasts until the very final quarter of a second, when the wretched neck is on the block and the victim listens and waits and _knows_--that’s the point, he _knows_ that he is just _now_ about to die, and listens for the rasp of the iron over his head. If I lay there, I should certainly listen for that grating sound, and hear it, too! There would probably be but the tenth part of an instant left to hear it in, but one would certainly hear it. And imagine, some people declare that when the head flies off it is _conscious_ of having flown off! Just imagine what a thing to realize! Fancy if consciousness were to last for even five seconds!
| “Are you aware that she writes to me almost every day?” |
XVI.
“Pafnute, yes. And who was he?”
He dreamed many dreams as he sat there, and all were full of disquiet, so that he shuddered every moment.
“Hurrah!” cried Lebedeff, in a drunken voice. “Hurrah for the last of the Muishkins!”
The prince knew that if he called at the Epanchins’ now he would only find the general, and that the latter might probably carry him straight off to Pavlofsk with him; whereas there was one visit he was most anxious to make without delay.
“Yes--yes, quite so; you are quite right. I wished to see Aglaya Ivanovna, you know!” said the prince, nodding his head.
| “He’s fainted!” the cry went round. |
Lizabetha Prokofievna went to bed and only rose again in time for tea, when the prince might be expected.
Nastasia Philipovna looked surprised, and smiled, but evidently concealed something beneath her smile and with some confusion and a glance at Gania she left the room.
“What a dear little thing she is,” thought the prince, and immediately forgot all about her.
“Oh, dear, no! Why, they don’t even know him! Anyone can come in, you know. Why do you look so amazed? I often meet him; I’ve seen him at least four times, here at Pavlofsk, within the last week.”
She would have insisted on sending to Petersburg at once, for a certain great medical celebrity; but her daughters dissuaded her, though they were not willing to stay behind when she at once prepared to go and visit the invalid. Aglaya, however, suggested that it was a little unceremonious to go _en masse_ to see him.
| “I don’t understand what you are driving at!” he cried, almost angrily, “and, and--what an intriguer you are, Lebedeff!” he added, bursting into a fit of genuine laughter. |
VI.
| “Bosh! there are plenty of Nastasia Philipovnas. And what an impertinent beast you are!” he added angrily. “I thought some creature like you would hang on to me as soon as I got hold of my money.” |
“I have lost four hundred roubles out of my side pocket! They’re gone!” said Lebedeff, with a sour smile.
“It is accursed, certainly accursed!” replied the clerk, vehemently.
So he walked back looking about him for the shop, and his heart beat with intolerable impatience. Ah! here was the very shop, and there was the article marked “60 cop.” Of course, it’s sixty copecks, he thought, and certainly worth no more. This idea amused him and he laughed.
| “Nastasia Philipovna,” murmured the prince. |
| “So that is true, is it?” cried the prince, greatly agitated. “I had heard a report of it, but would not believe it.” |
| “But we do mind,” said Lebedeff’s nephew vehemently. “Prince, your ‘never mind’ is an insult to us. We have nothing to hide; our actions can bear daylight. It is true that there are only a hundred roubles instead of two hundred and fifty, but it is all the same.” |
| He rushed like a whirlwind from the room, and Muishkin looked inquiringly at the others. |
“Do you know for certain that he was at home last night?”
In her opinion there was so much disclosed and laid bare by the episode, that, in spite of the chaotic condition of her mind, she was able to feel more or less decided on certain points which, up to now, had been in a cloudy condition.
“Oh, let her alone, I entreat you!” cried the prince. “What can you do in this dark, gloomy mystery? Let her alone, and I’ll use all my power to prevent her writing you any more letters.”
| “What an extraordinary man you are! I wonder at you!” Rogojin laughed sarcastically. |
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
He raised her, carried her into the room, placed her in an arm-chair, and stood over her, stupefied. On the table stood a tumbler of water. Rogojin, who now returned, took this and sprinkled a little in her face. She opened her eyes, but for a moment she understood nothing.
Aglaya had made for the door in terror, but she stopped at the threshold, and listened. “Shall I turn Rogojin off? Ha! ha! you thought I would marry him for your benefit, did you? Why, I’ll call out _now_, if you like, in your presence, ‘Rogojin, get out!’ and say to the prince, ‘Do you remember what you promised me?’ Heavens! what a fool I have been to humiliate myself before them! Why, prince, you yourself gave me your word that you would marry me whatever happened, and would never abandon me. You said you loved me and would forgive me all, and--and resp--yes, you even said that! I only ran away from you in order to set you free, and now I don’t care to let you go again. Why does she treat me so--so shamefully? I am not a loose woman--ask Rogojin there! He’ll tell you. Will you go again now that she has insulted me, before your eyes, too; turn away from me and lead her away, arm-in-arm? May you be accursed too, for you were the only one I trusted among them all! Go away, Rogojin, I don’t want you,” she continued, blind with fury, and forcing the words out with dry lips and distorted features, evidently not believing a single word of her own tirade, but, at the same time, doing her utmost to prolong the moment of self-deception.
“But perhaps we shall not be poor; we may be very rich, Nastasia Philipovna,” continued the prince, in the same timid, quivering tones. “I don’t know for certain, and I’m sorry to say I haven’t had an opportunity of finding out all day; but I received a letter from Moscow, while I was in Switzerland, from a Mr. Salaskin, and he acquaints me with the fact that I am entitled to a very large inheritance. This letter--”
“How foolish I am to speak of such things to a man like you,” said Vera, blushing. “Though you _do_ look tired,” she added, half turning away, “your eyes are so splendid at this moment--so full of happiness.”
And as to her face, could it inspire nothing but passion? Could her face inspire passion at all now? Oh, it inspired suffering, grief, overwhelming grief of the soul! A poignant, agonizing memory swept over the prince’s heart.
| Aglaya was silent a moment and then began again with evident dislike of her subject: |
“In the eyes of the world I am sure that I have no cause for pride or self-esteem. I am much too insignificant for that. But what may be so to other men’s eyes is not so to yours. I am convinced that you are better than other people. Doktorenko disagrees with me, but I am content to differ from him on this point. I will never accept one single copeck from you, but you have helped my mother, and I am bound to be grateful to you for that, however weak it may seem. At any rate, I have changed my opinion about you, and I think right to inform you of the fact; but I also suppose that there can be no further intercourse between us.
“Well, what do you think? The old fellow went straight off to Nastasia Philipovna, touched the floor with his forehead, and began blubbering and beseeching her on his knees to give him back the diamonds. So after awhile she brought the box and flew out at him. ‘There,’ she says, ‘take your earrings, you wretched old miser; although they are ten times dearer than their value to me now that I know what it must have cost Parfen to get them! Give Parfen my compliments,’ she says, ‘and thank him very much!’ Well, I meanwhile had borrowed twenty-five roubles from a friend, and off I went to Pskoff to my aunt’s. The old woman there lectured me so that I left the house and went on a drinking tour round the public-houses of the place. I was in a high fever when I got to Pskoff, and by nightfall I was lying delirious in the streets somewhere or other!”
“Look here,” said the prince; he was bewildered, and his brain wandered. He seemed to be continually groping for the questions he wished to ask, and then losing them. “Listen--tell me--how did you--with a knife?--That same one?”
“I haven’t seen him once--since that day!” the prince murmured.
| The prince, returning home from the interview with Aglaya, had sat gloomy and depressed for half an hour. He was almost in despair when Colia arrived with the hedgehog. |
“What? Who forbade you?”
| “What is the matter, excellency? I know how to keep my place. When I said just now that we, you and I, were the lion and the ass of Kryloff’s fable, of course it is understood that I take the role of the ass. Your excellency is the lion of which the fable remarks: |
“Yes, I intend to.”
| “I am not surprised at that. After what you... But I do hate that way of looking at things! Because some fool, or a rogue pretending to be a fool, strikes a man, that man is to be dishonoured for his whole life, unless he wipes out the disgrace with blood, or makes his assailant beg forgiveness on his knees! I think that so very absurd and tyrannical. Lermontoff’s Bal Masque is based on that idea--a stupid and unnatural one, in my opinion; but he was hardly more than a child when he wrote it.” |
Nastasia Philipovna burst out laughing and jumped up from the sofa.
| “What do you say, sir?” growled the general, taking a step towards him. |
“That officer, eh!--that young officer--don’t you remember that fellow at the band? Eh? Ha, ha, ha! Didn’t she whip him smartly, eh?”
Hearing these words from her husband, Lizabetha Prokofievna was driven beside herself.
It appeared that neither the prince, nor the doctor with whom he lived in Switzerland, had thought of waiting for further communications; but the prince had started straight away with Salaskin’s letter in his pocket.
| She could not hold out long enough even to witness his movement in her direction. She had hidden her face in her hands, cried once “Oh, my God!” and rushed out of the room. Rogojin followed her to undo the bolts of the door and let her out into the street. |
“I felt sure of that, or I should not have come to you. We might manage it with the help of Nina Alexandrovna, so that he might be closely watched in his own house. Unfortunately I am not on terms... otherwise... but Nicolai Ardalionovitch, who adores you with all his youthful soul, might help, too.”
“No, it was not the urchin: it was Nicolai Ardalionovitch,” said the prince very firmly, but without raising his voice.
The huge vase swayed backwards and forwards; it seemed to be uncertain whether or no to topple over on to the head of one of the old men, but eventually determined to go the other way, and came crashing over towards the German poet, who darted out of the way in terror.
“I took it out and had a look at it; it’s all right. I’ve let it slip back into the lining now, as you see, and so I have been walking about ever since yesterday morning; it knocks against my legs when I walk along.”
“He entered, and shut the door behind him. Then he silently gazed at me and went quickly to the corner of the room where the lamp was burning and sat down underneath it.
Colia was a nice-looking boy. His expression was simple and confiding, and his manners were very polite and engaging.