“Well--that’ll do; now leave me.”

As most of those present were aware that this evening a certain very important decision was to be taken, these words of Nastasia Philipovna’s appeared to be fraught with much hidden interest. The general and Totski exchanged looks; Gania fidgeted convulsively in his chair.

“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
Rogojin smiled, but did not explain.
For a man of Totski’s wealth and standing, it would, of course, have been the simplest possible matter to take steps which would rid him at once from all annoyance; while it was obviously impossible for Nastasia Philipovna to harm him in any way, either legally or by stirring up a scandal, for, in case of the latter danger, he could so easily remove her to a sphere of safety. However, these arguments would only hold good in case of Nastasia acting as others might in such an emergency. She was much more likely to overstep the bounds of reasonable conduct by some extraordinary eccentricity.

“Come, come, come! There, you must not cry, that will do. You are a good child! God will forgive you, because you knew no better. Come now, be a man! You know presently you will be ashamed.”

But when she had read it herself once more, it suddenly struck her that surely that conceited boy, Colia, had not been the one chosen correspondent of the prince all this while. She determined to ask him, and did so with an exaggerated show of carelessness. He informed her haughtily that though he had given the prince his permanent address when the latter left town, and had offered his services, the prince had never before given him any commission to perform, nor had he written until the following lines arrived, with Aglaya’s letter. Aglaya took the note, and read it.

“Please don’t be angry with me,” continued the prince. “I know very well that I have seen less of life than other people, and have less knowledge of it. I must appear to speak strangely sometimes...”

“But Nastasia Philipovna seems to me to be such a _sensible_ woman, and, as such, why should she run blindly into this business? That’s what puzzles me so,” said the prince.
“It seems to me,” interrupted the prince, “that I was foolish to trouble you just now. However, at present you... Good-bye!”
“Did she say that?”
But the father of the family was out in the road already. Colia was carrying his bag for him; Nina Alexandrovna stood and cried on the doorstep; she wanted to run after the general, but Ptitsin kept her back.
“Her happiness? Oh, no! I am only marrying her--well, because she wished it. It means nothing--it’s all the same. She would certainly have died. I see now that that marriage with Rogojin was an insane idea. I understand all now that I did not understand before; and, do you know, when those two stood opposite to one another, I could not bear Nastasia Philipovna’s face! You must know, Evgenie Pavlovitch, I have never told anyone before--not even Aglaya--that I cannot bear Nastasia Philipovna’s face.” (He lowered his voice mysteriously as he said this.) “You described that evening at Nastasia Philipovna’s (six months since) very accurately just now; but there is one thing which you did not mention, and of which you took no account, because you do not know. I mean her _face_--I looked at her face, you see. Even in the morning when I saw her portrait, I felt that I could not _bear_ to look at it. Now, there’s Vera Lebedeff, for instance, her eyes are quite different, you know. I’m _afraid_ of her face!” he added, with real alarm.
“You ought to be whipped, Colia, you silly boy. If you want anything” (to the prince) “please apply to the servant. We dine at half-past four. You can take your dinner with us, or have it in your room, just as you please. Come along, Colia, don’t disturb the prince.”
“I carried you in my arms as a baby,” he observed.

“You got that from some magazine, Colia,” remarked Adelaida.

“Oh, come to Colmina, then! Come--let us go at once!”

“I daren’t say, one way or the other; all this is very strange--but--”

“I don’t torment him, prince, I don’t indeed!” cried Lebedeff, hotly. “I love him, my dear sir, I esteem him; and believe it or not, I love him all the better for this business, yes--and value him more.”

So that if our readers were to ask an explanation, not of the wild reports about the prince’s Nihilistic opinions, but simply as to how such a marriage could possibly satisfy his real aspirations, or as to the spiritual condition of our hero at this time, we confess that we should have great difficulty in giving the required information.

He did not dare look at her, but he was conscious, to the very tips of his fingers, that she was gazing at him, perhaps angrily; and that she had probably flushed up with a look of fiery indignation in her black eyes.
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!” “Why, of course,” replied the clerk, gesticulating with his hands.

“Everybody takes you in and deceives you; you went to town yesterday. I dare swear you went down on your knees to that rogue, and begged him to accept your ten thousand roubles!”

The prince rose and took off his mantle, revealing a neat enough morning costume--a little worn, but well made. He wore a steel watch chain and from this chain there hung a silver Geneva watch. Fool the prince might be, still, the general’s servant felt that it was not correct for him to continue to converse thus with a visitor, in spite of the fact that the prince pleased him somehow.
“My dear, my dear!” he said, solemnly and reproachfully, looking at his wife, with one hand on his heart.
“I don’t remember any Nicolai Lvovitch. Was that your father?” she inquired of the prince.

“Gavrila Ardalionovitch begged me to give you this,” he said, handing her the note.

The prince asked a few more questions, and though he learned nothing else, he became more and more agitated.
Gania was silent and merely looked contemptuously at him.

He saw them gather up the broken bits of china; he heard the loud talking of the guests and observed how pale Aglaya looked, and how very strangely she was gazing at him. There was no hatred in her expression, and no anger whatever. It was full of alarm for him, and sympathy and affection, while she looked around at the others with flashing, angry eyes. His heart filled with a sweet pain as he gazed at her.

The lady of the house appeared to be a woman of about fifty years of age, thin-faced, and with black lines under the eyes. She looked ill and rather sad; but her face was a pleasant one for all that; and from the first word that fell from her lips, any stranger would at once conclude that she was of a serious and particularly sincere nature. In spite of her sorrowful expression, she gave the idea of possessing considerable firmness and decision.

“How dared they, how _dared_ they write that hateful anonymous letter informing me that Aglaya is in communication with Nastasia Philipovna?” she thought, as she dragged the prince along towards her own house, and again when she sat him down at the round table where the family was already assembled. “How dared they so much as _think_ of such a thing? I should _die_ with shame if I thought there was a particle of truth in it, or if I were to show the letter to Aglaya herself! Who dares play these jokes upon _us_, the Epanchins? _Why_ didn’t we go to the Yelagin instead of coming down here? I _told_ you we had better go to the Yelagin this summer, Ivan Fedorovitch. It’s all your fault. I dare say it was that Varia who sent the letter. It’s all Ivan Fedorovitch. _That_ woman is doing it all for him, I know she is, to show she can make a fool of him now just as she did when he used to give her pearls.
“Look closer. Do you see that bench, in the park there, just by those three big trees--that green bench?”
The general laughed with great satisfaction, and applied himself once more to the champagne.
“I tell you, my dear fellow, Aglaya is such an extraordinary, such a self-willed, fantastical little creature, you wouldn’t believe it! Every high quality, every brilliant trait of heart and mind, are to be found in her, and, with it all, so much caprice and mockery, such wild fancies--indeed, a little devil! She has just been laughing at her mother to her very face, and at her sisters, and at Prince S., and everybody--and of course she always laughs at me! You know I love the child--I love her even when she laughs at me, and I believe the wild little creature has a special fondness for me for that very reason. She is fonder of me than any of the others. I dare swear she has had a good laugh at _you_ before now! You were having a quiet talk just now, I observed, after all the thunder and lightning upstairs. She was sitting with you just as though there had been no row at all.”
The occurrence at the Vauxhall had filled both mother and daughters with something like horror. In their excitement Lizabetha Prokofievna and the girls were nearly running all the way home.
“How do you make out that the Roman Catholic religion is _unchristian?_ What is it, then?” asked Ivan Petrovitch, turning to the prince.
“Your soup’ll be cold; do come.”
Lizabetha Prokofievna had announced, directly after lunch, that they would all take a walk together. The information was given in the form of a command, without explanation, drily and abruptly. All had issued forth in obedience to the mandate; that is, the girls, mamma, and Prince S. Lizabetha Prokofievna went off in a direction exactly contrary to the usual one, and all understood very well what she was driving at, but held their peace, fearing to irritate the good lady. She, as though anxious to avoid any conversation, walked ahead, silent and alone. At last Adelaida remarked that it was no use racing along at such a pace, and that she could not keep up with her mother.
“Oh, if you could know all!”

The company departed very quickly, in a mass. Ptitsin, Gania, and Rogojin went away together.

“There’s nothing better than the ‘poor knight’!” said Colia, who was standing near the last speaker’s chair.
“Impossible!” cried the prince, aghast. Hippolyte frowned gloomily.
The prince immediately began to tell him, eagerly and joyfully, how he had but the moment before expected to see him in the dark passage of the hotel.
“My fate is to be decided today” (it ran), “you know how. This day I must give my word irrevocably. I have no right to ask your help, and I dare not allow myself to indulge in any hopes; but once you said just one word, and that word lighted up the night of my life, and became the beacon of my days. Say one more such word, and save me from utter ruin. Only tell me, ‘break off the whole thing!’ and I will do so this very day. Oh! what can it cost you to say just this one word? In doing so you will but be giving me a sign of your sympathy for me, and of your pity; only this, only this; nothing more, _nothing_. I dare not indulge in any hope, because I am unworthy of it. But if you say but this word, I will take up my cross again with joy, and return once more to my battle with poverty. I shall meet the storm and be glad of it; I shall rise up with renewed strength.
“Well, when we tried it we were a party of people, like this, for instance; and somebody proposed that each of us, without leaving his place at the table, should relate something about himself. It had to be something that he really and honestly considered the very worst action he had ever committed in his life. But he was to be honest--that was the chief point! He wasn’t to be allowed to lie.”
The prince gazed at it for a minute or two, then glanced around him, and hurriedly raised the portrait to his lips. When, a minute after, he reached the drawing-room door, his face was quite composed. But just as he reached the door he met Aglaya coming out alone.
“Well, I’m afraid of you. You shudder and tremble so. We’ll pass the night here together. There are no other beds besides that one; but I’ve thought how we’ll manage. I’ll take the cushions off all the sofas, and lay them down on the floor, up against the curtain here--for you and me--so that we shall be together. For if they come in and look about now, you know, they’ll find her, and carry her away, and they’ll be asking me questions, and I shall say I did it, and then they’ll take me away, too, don’t you see? So let her lie close to us--close to you and me.
The general promptly made his escape, and Lizabetha Prokofievna after a while grew calm again. That evening, of course, she would be unusually attentive, gentle, and respectful to her “gross and churlish” husband, her “dear, kind Ivan Fedorovitch,” for she had never left off loving him. She was even still “in love” with him. He knew it well, and for his part held her in the greatest esteem.

“Just as before, sir, just as before! To a certain person, and from a certain hand. The individual’s name who wrote the letter is to be represented by the letter A.--”

“Yes, I think I can.”

We have spoken of these letters chiefly because in them is often to be found some news of the Epanchin family, and of Aglaya in particular. Evgenie Pavlovitch wrote of her from Paris, that after a short and sudden attachment to a certain Polish count, an exile, she had suddenly married him, quite against the wishes of her parents, though they had eventually given their consent through fear of a terrible scandal. Then, after a six months’ silence, Evgenie Pavlovitch informed his correspondent, in a long letter, full of detail, that while paying his last visit to Dr. Schneider’s establishment, he had there come across the whole Epanchin family (excepting the general, who had remained in St. Petersburg) and Prince S. The meeting was a strange one. They all received Evgenie Pavlovitch with effusive delight; Adelaida and Alexandra were deeply grateful to him for his “angelic kindness to the unhappy prince.”
In a state of terrible excitement she threw back her head, with flaming eyes, casting looks of contempt and defiance upon the whole company, in which she could no longer distinguish friend from foe. She had restrained herself so long that she felt forced to vent her rage on somebody. Those who knew Lizabetha Prokofievna saw at once how it was with her. “She flies into these rages sometimes,” said Ivan Fedorovitch to Prince S. the next day, “but she is not often so violent as she was yesterday; it does not happen more than once in three years.”
“It is accursed, certainly accursed!” replied the clerk, vehemently.

“Twenty-six.”

“Never come near my house again!” cried Mrs. Epanchin, pale with rage. “Don’t let me see as much as a _shadow_ of you about the place! Do you hear?”

“Of course not,” replied the prince; “there are none, except myself. I believe I am the last and only one. As to my forefathers, they have always been a poor lot; my own father was a sublieutenant in the army. I don’t know how Mrs. Epanchin comes into the Muishkin family, but she is descended from the Princess Muishkin, and she, too, is the last of her line.”

One day, however, he and Lizabetha Prokofievna quarrelled seriously about the “woman question,” in the course of a lively discussion on that burning subject. He told her that she was a tyrant, and that he would never set foot in her house again. It may seem incredible, but a day or two after, Madame Epanchin sent a servant with a note begging him to return, and Colia, without standing on his dignity, did so at once.

He grew very wroth and confused when the prince asked for the portrait, and explained how it came about that he had spoken of it.
“Oh, Mr. Lebedeff, I am told you lecture on the Apocalypse. Is it true?” asked Aglaya.
“I know, prince, of course I know, but I’m afraid I shall not carry it out; for to do so one needs a heart like your own. He is so very irritable just now, and so proud. At one moment he will embrace me, and the next he flies out at me and sneers at me, and then I stick the lining forward on purpose. Well, _au revoir_, prince, I see I am keeping you, and boring you, too, interfering with your most interesting private reflections.”

Hippolyte told the prince this last story, sending for him on purpose. When Muishkin heard about the candle and Gania’s finger he had laughed so that he had quite astonished Hippolyte,--and then shuddered and burst into tears. The prince’s condition during those days was strange and perturbed. Hippolyte plainly declared that he thought he was out of his mind;--this, however, was hardly to be relied upon.

At this moment Gania and Ptitsin entered the room together, and Nina Alexandrovna immediately became silent again. The prince remained seated next to her, but Varia moved to the other end of the room; the portrait of Nastasia Philipovna remained lying as before on the work-table. Gania observed it there, and with a frown of annoyance snatched it up and threw it across to his writing-table, which stood at the other end of the room.
“Oh, come, come! You are exaggerating,” said Ivan Petrovitch, beaming with satisfaction, all the same. He was right, however, in this instance, for the report had reached the prince’s ears in an incorrect form.
“It is much warmer in the rooms here than it is abroad at this season,” observed the prince; “but it is much warmer there out of doors. As for the houses--a Russian can’t live in them in the winter until he gets accustomed to them.”
“I see you are ashamed of me, Evgenie Pavlovitch; you are blushing for me; that’s a sign of a good heart. Don’t be afraid; I shall go away directly.”
“Listen to me! You are going to live here, are you not?” said Colia. “I mean to get something to do directly, and earn money. Then shall we three live together? You, and I, and Hippolyte? We will hire a flat, and let the general come and visit us. What do you say?” “Really?” asked the prince, gleefully, and he laughed in delight.

“I am very proud, in spite of what I am,” she continued. “You called me ‘perfection’ just now, prince. A nice sort of perfection to throw up a prince and a million and a half of roubles in order to be able to boast of the fact afterwards! What sort of a wife should I make for you, after all I have said? Afanasy Ivanovitch, do you observe I have really and truly thrown away a million of roubles? And you thought that I should consider your wretched seventy-five thousand, with Gania thrown in for a husband, a paradise of bliss! Take your seventy-five thousand back, sir; you did not reach the hundred thousand. Rogojin cut a better dash than you did. I’ll console Gania myself; I have an idea about that. But now I must be off! I’ve been in prison for ten years. I’m free at last! Well, Rogojin, what are you waiting for? Let’s get ready and go.”

“Sit down,” said Rogojin; “let’s rest a bit.” There was silence for a moment.
Here Evgenie Pavlovitch quite let himself go, and gave the reins to his indignation.
“But why not now? I am ready to listen, and--”
“Oh-h-h! I’m sorry for that. I thought you were. I wonder why I always thought so--but at all events you’ll help me, won’t you? Because I’ve chosen you, you know.”
“Are you in love with her?”

“Come, you know nothing about _her_,” said Rogojin, impatiently.

“He declares that your humbug of a landlord revised this gentleman’s article--the article that was read aloud just now--in which you got such a charming dressing-down.”
“I see, I see,” said Evgenie, smiling gently. His mirth seemed very near the surface this evening.
“Exactly, exactly! That is a true thought!” cried the prince. “From ennui, from our ennui but not from satiety! Oh, no, you are wrong there! Say from _thirst_ if you like; the thirst of fever! And please do not suppose that this is so small a matter that we may have a laugh at it and dismiss it; we must be able to foresee our disasters and arm against them. We Russians no sooner arrive at the brink of the water, and realize that we are really at the brink, than we are so delighted with the outlook that in we plunge and swim to the farthest point we can see. Why is this? You say you are surprised at Pavlicheff’s action; you ascribe it to madness, to kindness of heart, and what not, but it is not so.
“Excellency,” he said, impulsively, “if you want a reliable man for the night, I am ready to sacrifice myself for my friend--such a soul as he has! I have long thought him a great man, excellency! My article showed my lack of education, but when he criticizes he scatters pearls!” He walked to the far end of the verandah, where the sofa stood, with a table in front of it. Here he sat down and covered his face with his hands, and so remained for ten minutes. Suddenly he put his hand in his coat-pocket and hurriedly produced three letters.
This last item of news, which disturbed Lizabetha Prokofievna more than anything else, was perfectly true. On leaving Nastasia’s, Aglaya had felt that she would rather die than face her people, and had therefore gone straight to Nina Alexandrovna’s. On receiving the news, Lizabetha and her daughters and the general all rushed off to Aglaya, followed by Prince Lef Nicolaievitch--undeterred by his recent dismissal; but through Varia he was refused a sight of Aglaya here also. The end of the episode was that when Aglaya saw her mother and sisters crying over her and not uttering a word of reproach, she had flung herself into their arms and gone straight home with them.
Rogojin took the chair offered him, but he did not sit long; he soon stood up again, and did not reseat himself. Little by little he began to look around him and discern the other guests. Seeing Gania, he smiled venomously and muttered to himself, “Look at that!” “What best wishes?”
“As for you, sir,” he cried, “you should at least remember that you are in a strange house and--receiving hospitality; you should not take the opportunity of tormenting an old man, sir, who is too evidently out of his mind.”

“There was no cap in it,” Keller announced.

He did not finish his sentence, for at this moment Ferdishenko pushed a chair up from behind, and the general, not very firm on his legs, at this post-prandial hour, flopped into it backwards. It was always a difficult thing to put this warrior to confusion, and his sudden descent left him as composed as before. He had sat down just opposite to Nastasia, whose fingers he now took, and raised to his lips with great elegance, and much courtesy. The general had once belonged to a very select circle of society, but he had been turned out of it two or three years since on account of certain weaknesses, in which he now indulged with all the less restraint; but his good manners remained with him to this day, in spite of all.
It struck him that the idea of the duel might not have occurred to Keller alone, but that his lesson in the art of pistol-loading might have been not altogether accidental! “Pooh! nonsense!” he said to himself, struck by another thought, of a sudden. “Why, she was immensely surprised to find me there on the verandah, and laughed and talked about _tea!_ And yet she had this little note in her hand, therefore she must have known that I was sitting there. So why was she surprised? Ha, ha, ha!”

As before, Rogojin walked in advance of his troop, who followed him with mingled self-assertion and timidity. They were specially frightened of Nastasia Philipovna herself, for some reason.

The prince rose again, as if he would leave.